#Anaconda blood orchid movie#
#Anaconda blood orchid free#

#Anaconda blood orchid movie#

As Anacondas‘ slasher movie dimensions take shape, the team is expanded to include more potential victims.

Of course, it doesn’t matter what any of them thinks: once the head suit (Denis Arndt) hears about the likely profits (“That’d be bigger than Viagra!”), he exhorts, “Get your asses down to Borneo.” And so their fates are sealed. Meantime, Jack’s former student and current assistant (“the best researcher I’ve got”), Sam (KaDee Johnson) withholds judgment. Opposing their bland ambition is Gail (Salli Richardson-Whitfield), a scientist who distrusts their scheme. Numbers cruncher Gordon (Morris Chestnut) and lead scientist Jack (Matthew Marsden) are most ardent to go find the “blood orchid,” which blooms only once every seven years and appears to be a floral version of the “fountain of youth,” promising all kinds of social, medicinal, and - most importantly - financial benefits. Once this poor fellow is brutally eliminated, the scene cuts to New York City, where “researchers” and “executives” gnash their teeth and argue over whether the designated team of victims will go to Borneo (guess what they decide). Though the monster remains ominously unseen, the violence it does to one hunter (Khoa Do) is alarmingly visible, in the sort of disjointed point-of-view camera work, thrashing-about CGI, and smash-cut editing that characterizes such scary-movie set-ups. You, however, can well imagine, because the movie begins with a set of local hunters pursued by one of the snakes. Little’s sequel to the surprisingly endearing Anaconda (1997) essentially repeats all the moves of the original, lining up a crew of ambitious young adult victims who can’t imagine what they’re getting themselves into. The focus this time is not a friendly whale, but a passel of wily giant anacondas who make it their mission in life to seize, squeeze, and eat all humans who wander into their wilds-of-Borneo territory. After all that cheery gamboling on the bright blue ocean, he’s concocted a darker and less uplifting adventure, though still exceedingly wet.

#Anaconda blood orchid free#

There’s some odd cosmic poetry in the fact that Dwight Little, director of Anacondas: The Hunt for the Blood Orchid, also directed Free Willy 2.